So, yesterday I read this article in PW about Reed Exhibitions' plans for the new BookCon on the last day of BookExpo America (BEA). I posted an off-hand comment on Twitter and Facebook that I thought the new plan was great. Apparently, my comments weren't clear, and some people are confused and upset by the new plan. "Why is excluding the public a good thing?" I was asked, and that wasn't what I meant at all, and I don't think it's what BEA intended. In fact rather the opposite. BEA is working to include the public and craft a positive experience for them. Since it's difficult to clarify my thoughts in 140 characters, I thought I'd write a blog post.
First, some history: BookExpo America is the largest U.S. conference for the book industry. It started in 1901 as the American Booksellers Association convention, and eventually grew to encompass much more. But it has always been a conference exclusively for the book industry. To attend, you had to be a bookseller, librarian, publisher, publishing service provider, or someone else working in the industry. Attending wasn't cheap, either. Badges can run several hundred dollars, depending on your role. That wasn't intended to be exclusionary. It was always a conference oriented around the business side of books.
However, since books and authors are a big part of the conference, I think increasingly so in recent years, BEA recognizes that it would also be of interest to passionate book lovers, and in turn, those are people whom publishers exhibiting at BEA would like to reach. So for the last year or two, they've been experimenting with opening the conference to the public.
Last year, that took the form of "Power Reader" day, which provided tickets giving power readers access to the show floor on the last day. I think that Power Reader Day both was and wasn't a success. I think the idea was great, and some publishers took advantage of the opportunity to interact with readers and have special events and giveaways just for the public. For the readers, it provided a chance to meet authors and get autographed books, as well as a peek behind the curtain to see books in advance of publication.
However, the problem was that the BEA show floor is very large, and many exhibitors are not of interest to the public, nor are they interested in interacting with the public. So I saw many power readers wandering around booths with remainders dealers, printers, distributors, app developers, book display manufacturers, and publishing service providers of various types. In addition, some publishers publish books not intended for a general audience, and even some of the ones that do publish general interest books didn't seem interested in interacting with the public. Many exhibitors break down early on the last day, and walking the floor and hearing the tape guns, some starting as early as 11-12:00, I couldn't help but think that if I were a Power Reader, I would have been disappointed to see what looked like a conference winding down, on the only day I could be there.
Thankfully, Reed Exhibitions also recognized this problem, and they made some changes to address it. This year, if I understand correctly, a part of the BEA show floor will be sectioned off as the area for BookCon (replacing Power Readers) attendees. Exhibitors are given a choice whether they want to be in the BookCon area or not. The ones that choose not to be in this area are ones that wouldn't be offering anything to the public anyway: the business to business service providers, the specialized publishers, and those general trade publishers who, for whatever reason, aren't interested in taking part.
So if you attended Power Reader day last year and are worried about the changes, you won't be losing anything! (Disclaimer: I'm not associated with BEA in any way, other than as an attendee for the last 10 years, so I'm just going by what I read in the press and on their website). You'll still have access to a feast of books and authors; it's just that it will all be consolidated into one area, so that you don't have to hunt through aisles and aisles of irrelevant (to you) booths to find the things that interest you.
I think that what's confusing people is on the ticket page it says, "BookCon Tickets do not provide access to BookExpo America (BEA). BEA is a trade only event (not open to the public) and BookCon Tickets do not provide entry into BEA." What I think this means - and again, this is just me interpreting - is that you don't have access to the first two days of BEA, which Power Readers didn't have last year, either, and you don't have access to the area of BEA which is primarily for business to business exhibitors (which most of the public wouldn't be interested in anyway).
This BookCon FAQ addresses a lot of the questions and concerns.
If you haven't attended before and you're within an easy drive of New York City, this is a great opportunity to find out about new books, meet authors, and maybe pick up some freebies. Tickets to the one day BookCon event are only $30 for adults (and teens, apparently) and $5 for children. Ticket information is here.
Friday, March 28, 2014
Monday, March 24, 2014
Underneathby Sarah Jamila Stevenson
Sunny Pryce-Shah is devastated when her cousin Shiri commits suicide. How could Shiri do it? Shiri always seemed so confident, and Sunny looked up to her older cousin. Then Sunny starts to hear thoughts, and from cryptic comments in Shiri's journal, she suspects that Shiri may have had the same problem. Hearing thoughts is more of a curse than a power. It can be painful to know what people really think of you, for example, and Sunny can't control it or stop it from happening. Sunny is already dealing with so much, but she knows that she has to get the ability under some kind of control before it pulls her apart like it did her cousin.
Underneath is a contemporary YA novel with a speculative twist. The underhearing is just one of the conflicts Sunny has to deal with. In addition to grief over her cousin and dealing with her unusual problem, Sunny also has to navigate the treacherous waters of the high school social scene, and her family is dealing with the possible spousal abuse of her aunt. The relationships, including family, friend, and romantic interest, feel authentic, and I like that the book portrays how complex such relationships are. Fights happen, and sometimes no one is right or wrong and you just have to find a way to work things out. But sometimes one person's behavior is wrong, and it's not always easy to tell the difference.
The book also portrays grief in a way that seems authentic. Grief doesn't just go away because a certain amount of time has passed, and one of the difficult things for someone bereaved is when people start to feel that they should be over it. Grief also takes different forms, and different people grieve in different ways at different times.
I also like that romance isn't a major focus of the story. There are romantic interests, and even a couple of love triangles, but in the end it's not important who ends up paired with whom, and the story is really much more about friendship (and family) than romance.
From a diversity perspective, Sunny is half Pakistani. Although she is pretty much a regular American teenager, there are some bits of Pakistani culture that come from her grandparents, for example when they send over Pakistani food, or request an imam at the funeral. It's handled very naturally as a part of the normal American experience and not at all an issue.
In the end, it's character and voice that make this a compelling novel. Sunny is such an interesting character with a distinctive voice, and we feel her pain and her struggles.
The underhearing itself is never explained, and this may bother some readers. However, not understanding it is a part of the story conflict, and in real life there isn't always a neat explanation that ties things up with a bow. I do love the word "underhearing" - it's a perfect word for what is, in essence, mental overhearing.
Who would like this book:
Teens who enjoy contemporary fiction with a paranormal twist.
Underneath is a 2013 Cybils Awards Nominee
Get it from:
Friday, March 21, 2014
The 5th Wave was an excellent book about the aftermath of an alien invasion, although one of the themes of the book is that this alien invasion is not a anything like what you would expect from movies and TV. ("...not-your-grandma's alien invasion," as Yancey says in the interview). You can read my review of The 5th Wave here.
I'm really looking forward to reading The Infinite Sea, which will be published September 16. I'm particularly excited that Yancey mentions in the interview that there are still some plot twists, as one of the things I loved about the first book was the layers of surprising reveals.
Also, Yancey talks about the 5th Wave movie in the interview, and it sounds like that's making progress.
Tuesday, March 18, 2014
If you'd like to support an author fighting for autonomy over his books, or if you just like his books (or think you might!) please consider backing this Kickstarter.
Saturday, March 08, 2014
The UK based organization Let Toys Be Toys has started a petition on Change.org to ask publishers to stop gender-labeling books. The image above shows how such labeling can send a powerful message to kids about what's important: beauty for girls and intelligence for boys in this case. Granted, this image is an extreme example, probably selected for its provocative nature. But any gender labeling, even less provocative examples, limits children's choices and perpetuates gender stereotypes. Please take a few minutes and sign this petition.
Here's a great article about gender labeling on the Let Toys Be Toys website.
As a child, I always preferred books with robots, aliens, and adventure over cupcakes, flowers, and handbags. Books should expand children's horizons, not limit them.