Monday, June 21, 2010

Fifth Blogiversary!

On June 11, 2005, just over five years ago, I made my first blog post. I had already been writing reviews for Wands and Worlds, a site I founded with my son, and posting them in a homegrown database. But I had started reading kidlit blogs (there were a lot less back then!) and, inspired and encouraged by the talented Tasha Saecker, who blogs at Kids Lit, I decided to take the plunge and start blogging. My first post was a look at BEA 2005, which I had recently attended. It was a pretty good post, but the posts that followed were a little insipid, and it took some time for me to find my voice.

In honor of my fifth blogiversary, I decided to do something that I should have done, er, five years ago: I wrote up my blog and review policy. So now publishers, authors, and publicists don't need to guess what I review and what my policies are. You can see it at the "Blog & Review Policy" tab above, or at this direct link. Comments, questions, and critique are welcome.

A lot has changed in five years, but a good book is still a good book. I haven't started running out of books yet, so I hope to be blogging for a long time to come.


Saturday, June 12, 2010

Little Tiger Press Young Writer and Illustrator Awards

I received information about a contest that I thought sounded interesting, for children ages 5-11 in the UK. From their web site:

The Little Tiger Press Young Writer and Illustrator Awards 2010, sponsored by PriceMinister, are designed to encourage reading and creativity in children from an early age. This national competition aims to promote a life-long love of reading, writing and illustrating.

Children either choose one of two stories to draw an illustration about, or one of two illustrations to write a story about. Entries are submitted by the schools. The winners receive vouchers to spend on the PriceMinister web site, and the winners' schools also receive vouchers. The first place winner's school receives an £800 voucher, and the second place school receives a voucher for £400.

The closing date for entries is 23rd July 2010.

More information is available on the award web site.


Friday, June 04, 2010

48-hour book challenge starts TODAY

Don't forget that MotherReader's annual 48-hour book challenge starts TODAY! The idea is to read and review as much as possible over a 48-hour period between this morning and Monday morning. There are even prizes!

You can pick your starting time, so it's not too late: you can start as late as 7:00am on Saturday and still make the 48 hours by the deadline of 7am Monday. Unfortunately I won't be able to do it this weekend like I had planned, but I'll be cheering everyone on. Sign up for the challenge here!


Thursday, June 03, 2010

Digital World 1990

Twenty years ago, I attended a conference in Monterey, California, organized by Seybold and called "Digital World 1990." The conference was intended to address the rapid technological changes affecting publishing, computer gaming, movies, and other media industries, and the coming convergence of technologies. I've attended other conferences, but that one was strongly imprinted on my memory, and I've never forgotten it. Last week, attending BEA and IBPA's Publishing University was somewhat of a déja-vu experience, which reminded me strongly of that long ago conference.

In 1990, we were in the midst of a sea change of technology that threatened to drastically change the way we did business. Publishing was still reeling from a relatively new technology, desktop publishing, that took power away from the corporations and put it in the hands of ordinary people. There was disagreement between advocates of desktop publishing, and those of us (including me) who advocated a device-neutral tagging system, SGML, as a better approach for the long term. Multimedia, in the form of CD-ROMs, was going to change the way information was presented, and a convergence of technologies meant that soon computers, televisions, telephones, and other devices would merge into multi-purpose devices.

Broadband access, in the form of ISDN, would put the world at our fingertips, although no one seemed to know exactly what that meant. The internet was gaining in popularity, but gopher was the primary means of using the internet, and the World Wide Web was just on the cusp of being developed. Ted Nelson spoke about his vision of a world wide hypertext library of information, Xanadu, which would allow anyone to create content and link to other people's content. Digital World 1990 was where I first heard about a new technology being researched, I think it was by Xerox, called electronic paper, which would use rotating dots of electrically charged ink to create paper on which the image could be changed.

There was both fear and excitement at the conference, but excitement seemed to be the primary emotion, particularly since many of the people at the conference were deeply involved in bringing about those changes. I remember one speaker, I wish I could remember who it was so I could credit him, talking about the curve of development of new technologies. Using the example of multimedia CD-ROMs, he talked about how when a new technology is first developed it generates a lot of excitement, and people think it's going to change the world. Then, when change doesn't happen as quickly as expected, there's a backlash against it. Finally, the change does happen, although often differently than expected.

Today, we are once again (or still) in the midst of a sea change affecting the way we do business. Just as twenty years ago, there is both fear and excitement, but whereas I think fear was the primary emotion at BEA 2009, I think BEA 2010 moved more towards excitement.

Some of the changes predicted at the 1990 conference have come about, although in almost all cases the change has been different than expected. CD-ROMs still exist, but they are essentially dead, however multimedia presentation of information is stronger than ever, as evidenced by the many demonstrations of "enhanced e-books" at BEA 2010. Broadband access has indeed come about, although through DSL and cable and wireless, not ISDN.

We do indeed have "the world at our fingertips," but the World Wide Web has replaced Ted Nelson's Xanadu (although project Xanadu still exists and is working to bring their vision to reality). I do wish that Xanadu had won out over the web, because Nelson's vision was far superior to what we have today. Xanadu had greater granularity of linking -- you could link to any amount of content, even down to a single byte, instead of being forced to link to whole pages -- links were bi-directional, and there was built-in copyright protection and automatic compensation of copyright holders.

E-readers based on e-ink, the descendent of e-paper, are the hot item in 2010, although sadly it seems that once again Xerox missed the boat on a technology for which they were a pioneer. There is indeed a convergence of technologies, although there is also increased specialization. Today consumers have a choice: you can purchase multi-purpose devices like the iPhone, which combine telephones, computers, and video, or you can purchase specialized devices like the Kindle that serve one purpose. Instead of an overall convergences, we've seen a combining, separating, and re-combining of technologies in many different ways.

Desktop publishing has evolved into robust graphical typesetting programs like InDesign. Yet, with the increasing importance of e-books and multi-platform publishing, format-neutral tagging based formats -- in this case XML, the intellectual descendent of SGML -- are playing a more important role, and even InDesign now incorporates XML tagging capabilities.

Using the development curve described above, I think that e-books are starting to move from the second phase, backlash, into the third phase, real change, although there is certainly still some backlash.

I think the important thing to take away from all this is that change will happen, although probably differently than we expect it to. Twenty years from now, the world -- and publishing -- will be very different than today, but it will also be different than today's predictions of where it's headed. The important thing is to be flexible and creative; companies that can adapt, in one way or another, to the change, will survive, and those that don't, won't. Adapting doesn't necessarily mean moving everything to e-books, but it does mean finding ways to do business in this new world, whatever that might mean.


Wednesday, June 02, 2010

Book Review: The Stand graphic novels

The Stand: Captain Trips
The Stand: American Nightmares
Roberto Aguirre-Sacasa
Mike Perkins
Based on The Stand by Stephen King

Stephen King's The Stand is one of my favorite books of all time. It's one of those books that I go back to and reread from time to time. So I was excited when I heard about the new graphic novel adaptations from Marvel Comics, written by Roberto Aguirre-Sacasa and illustrated by Mike Perkins. I haven't read many graphic novels, but it's something that I've wanted to get more into, so I thought this would be a great opportunity. I wasn't disappointed.

Marvel is releasing the story in installments, first as comics, then as hardcover books collecting five comics in each hardcover. The first hardcover is The Stand: Captain Trips, and it tells the story of the spread of the deadly bio-engineered virus that comes to be known as Captain Trips. In the second hardcover, The Stand: American Nightmares, the survivors of the modern plague begin to travel, in search of help or other survivors, while being plagued by nightmares of a dark man.

One of the best things about the original book is the characters; there is a large and diverse cast of characters representing all aspects of humanity. Some of them you can't help but love, others are ambiguous, and others are strongly in the camp of darkness. Stephen King brings all these characters to vivid life, and The Stand is really the story of how these characters weather the crisis and the aftermath, and what choices they make in the larger battle between good and evil. Bringing these characters to visual life on the page had to be one of the biggest challenges for Aguirre-Sacasa, Perkins, and the team, and they succeeded brilliantly. As an appendix to the first book makes clear, the team gave much time and attention to getting the characters right, and I think it paid off. Most of the characters look pretty much the way I imagined them, although the characters on the dark side tend towards an exaggeration in appearance that isn't to my taste, but that is probably the norm in the comics genre.

The same attention to detail was applied to the locations, from the beautiful seaside town of Ogunquit, Maine, to the streets of New York City. The appendix to the second book explains how Mike Perkins traced Larry's route through New York City and took photographs, and how he used those photographs to create the panels in the book.

The graphic novel is very true to the book, and although the scenes are necessarily abbreviated, the pictures do much to fill in the details, as they should. I was particularly interested to see how they would handle the famous Lincoln Tunnel scene, one of the scariest scenes I've read in a book. Because much of what's frightening in that scene stems from the unseen, rather than what's actually seen, I was concerned that a visual adaptation would reduce the impact. However, Aguirre-Sacasa and Perkins accomplish this by alternating panels of Larry using his Bic lighter for light, with completely black panels when the lighter gets to hot to keep on. (And a few panels showing the things in Larry's imagination). For me, it didn't have quite the visceral impact of Stephen King's words, but it did a darn good job of creating an atmospheric, frightening scene.

The first two volumes of The Stand graphic novel are very well done, and are fast-paced, entertaining reads. The artwork does a beautiful job of bringing Stephen King's vision to life. Both fans of the original book and those who have never read it will enjoy these visual interpretations of the story. I look forward to reading the next installment, The Stand: Soul Survivors, when it is released in July.

Please note: the links above will take you to the books on Amazon.com. However, I strongly encourage you to visit your local independent comic book store and purchase them there.

FTC required disclosure: I purchased the books read for this review. The Amazon.com links above are Amazon Associate links, and I earn a very small percentage of any sales made through the links. Neither of these things influenced my review.


Tuesday, June 01, 2010

Two innovative new e-readers

It seems like every day now, another new e-reader is announced. Some of them seem to have little to set them apart, but I saw two e-readers at BEA that caught my eye for their innovation.

enTourage eDGe

The first one is the enTourage eDGe, an exciting new dual screen reader. The left hand screen is a black & white e-ink screen for displaying your books, and the right hand screen is a full color netbook which runs the Google Android operating system.

The e-ink screen is large and comfortably displays a fair amount of text. A stylus enables you to write and draw on the e-ink screen, useful for taking notes and annotating books. The netbook half is a full-featured netbook, and runs Android apps as well as Microsoft Office applications. The current model has built-in WiFi, with 3G coming on future models. The screens can be held open side by side like a book, or can be folded back and held like a tablet.

enTourage is aiming at the higher education market with this, and I think that it would be a perfect reader for college students. The touch screen would allow them to take notes in their textbooks, and the netbook gives them access to their email, internet, and Office applications. There are even skins available for the device.

enTourage is working with textbook publishers to make their content available for the eDGe, and several large publishers have already been announced, including Elsevier's Science & Technology division, Wolters Kluwer Law & Business Books, and McGraw Hill Higher Education. In addition, the eDGe can display any book in ePub or PDF format.

The only drawback that I found to this device is its weight; it weighs slightly over three pounds, and it felt a little heavy to me. This definitely wouldn't be a device for my mother, who loves her Kindle and would have trouble holding this, but my mother isn't in the target market. It's lighter than some textbooks, and I think for college students it would be great.


The enTourage eDGe is $499, with an additional $40 for some colors.

Copia

The other interesting e-reading experience I learned about was a new book social network called Copia, with e-readers that integrate the social capabilities. I didn't get to see the actual readers, but it sounds like an interesting concept. Copia is a new social platform for readers; it apparently combines content with social networking capability. In addition to recommending books, similar to other book social networks, readers can share their notes and annotations, in a sort of online book club. The Copia e-readers are e-ink devices in a variety of sizes and configurations, but with the ability to access the recommendations, conversations, and notes of your friends as well as the e-books you purchase. Copia is still in Beta testing, but you can find more about it at www.thecopia.com.


Monday, May 31, 2010

Book Review: The Marvelous Toy interactive app

The Marvelous Toy

Words and music by Tom Paxton
Additional musical arrangements by Christopher Kennedy
illustrated by Steve Cox
Interactive e-book app by mobiStories

Interactive e-book apps were one of the hot topics at BEA, and I had the opportunity to preview The Marvelous Toy interactive picture book app. The song The Marvelous Toy, by Tom Paxton, has long been a favorite of kids and adults, and Imagine Publishing created an illustrated picture book out of the song. MobiStories Digital Books has gone one step further, taking the images from the picture book and the audio of the song, and added interactivity to create an enhanced digital e-book app.

The app proceeds through a series of screens, each one displaying art from the book and playing one verse of the song while showing the words to the song. When the verse finishes, you can click on or touch different items in the picture to see them do different things, including the marvelous toy of the title, which does indeed zip, pop, and whirrrr.

The art is lovely, and of course the song, sung by Tom Paxton himself, is wonderful. Playing with the different toys is fun, and overall I think that kids will enjoy this app. My only criticism is that the response on the iPhone app was a little slow, and you have to wait for one animation to finish before you can activate the next one. My experience with kids in general leads me to believe that most will try to touch everything quickly, without waiting for the first one to finish, and when nothing happens they may assume that object doesn't do anything. From what I saw of the computer version at BEA, it seemed that this problem doesn't exist on the computer version.

The book is available as an iPhone/iPad app or as a download for your computer.

On a meta level, I can't help wondering how far you can go and still call something a book. Is an app based on a book based on a song still a book? In one sense, it doesn't matter what we call it, but to some extent it does. There's nothing wrong with kids "reading" something like this some of the time, but I wouldn't want this to become the only thing that kids read. Partly because, although the words appear on the screen, kids don't actually have to read them to enjoy the app. But also because it doesn't leave anything to the imagination, and developing imagination is another important thing that books can do. Even picture books, with art that shows what things look like, still encourage imagination; in The Marvelous Toy print book, for example, kids can see the toy but have to imagine it lighting up, zipping, and whirring. In the app, they can see it and don't have to imagine it. I don't mean this as a criticism of the app, which I like, but more as a musing on the possible implications of where we're headed.


Sunday, May 30, 2010

More BEA 2010

BookExpo America was crazy this year. With the show floor only being two days instead of the usual three, it was a mad rush of activity and I felt like I was on the run constantly trying to accomplish everything.

Tuesday evening I went to Books of Wonder for a Class of 2K10 event. There were 13 YA authors presenting their debut books, released this year.

Of the thirteen, the ones that I'd most like to read are Mistwood, 13 to Life, and Shade.

At Books of Wonder, I also got to meet a couple of teen members of the Wands and Worlds community for the first time, which was a great experience!

Wednesday night I attended the Kidlit Drink Night, organized by Cheryl Klein and Betsy Bird. In addition to Cheryl and Betsy, I also talked to Abby (the) Librarian and her friend Jen. Barry Lyga was wearing an awesome shirt promoting his new book, Archvillain. The shirt read, "I'm not evil, I'm just misunderstood." I also met Elizabeth Kennedy, About.com's guide to children's books. I looked at her name tag and then did a double take when I realized who she was; I told her I was in the presence of a celebrity! I also met one of the FiveAwesomeYAFans (I'm really sorry but I don't remember your name!) and Violet Haberdasher, author of Knightly Academy, who gave me a bookmark with the great slogan, "Fencing lessons, protocol drills, and death threats. Just your average day at Knightly Academy."

I'm sure there are other people I met, so if I've forgotten you please post a comment here! I didn't stay long, because I don't deal well with noise and crowds, and it was definitely noisy and crowded! But it was fun to go for a little while and catch up with old friends and make new ones.

Most of my time Thursday was spent running between meetings with publishers to talk about the Cybils, and standing in line for autographs. I did find the time to walk the show floor, although not until Thursday afternoon, and saw some interesting things, some of which I'll be posting about in separate blog posts. The books I got that I'm most excited about are:
For the Win
Cory Doctorow
Available now
Multiplayer gaming and gold-farming sweatshops in poor countries

Matched
Ally Condie
November, 2010
Futuristic dystopian story with romance

Sapphique
Catherine Fisher
December, 2010
Sequel to Cybils finalist Incarceron and a book I've been looking forward to reading!

Fat Vampire: A Never Coming of Age Story
Adam Rex
July, 2010

The Red Pyramid (The Kane Chronicles, Book 1)
Rick Riordan
Available now

Towards the end of the day, when my feet hurt so much I could barely walk, I had two delightful serendipitous discoveries. The first was coming across origami experts Michael LaFosse and Richard Alexander promoting their line of Origami books. They had some pretty amazing examples of origami with them. You can see some of their work in the photo gallery on their web site at origamido.com. The picture shows LaFosse with an F-14 Tomcat that I watched him fold.

The second discovery was coming around a corner at the very end of the day and finding a small crowd gathered around a booth that hadn't started packing up yet. Peter Yarrow and Noel Paul Stookey (Peter and Paul of Peter, Paul & Mary) were there promoting their new children's book, The Night Before Christmas. Unfortunately, I'd apparently just missed them singing, but I did get an autographed CD for my husband.


Thursday, May 27, 2010

BookExpo America (BEA) 2010

Today was the first day of the exhibit halls for BookExpo America, or BEA, the (hopefully still) annual U.S. trade show for the book business. This year the exhibit part of the show is compressed into two days instead of three, and one floor of the Javits Center instead of two. In spite of that (or maybe because of it) the show was buzzing with activity and, well, buzz. The aisles were so crowded you could barely walk, and the autographing area smelled like a locker room. Debate about "p" vs "e" could be heard throughout the exhibit floor, and more than one person was heard to exclaim that print is not dead. And judging from the number of people standing in line for autographed books, print is definitely far from dead.

This morning I attended the Children's Book and Author Breakfast, an event which featured Sarah, Duchess of York as MC, with Cory Doctorow, Mitali Perkins, and Richard Peck speaking. A music group called 4TROOPS, comprised of four combat veterans of Iraq and Afghanistan, performed their song "For Freedom" and sang some beautiful harmonies.

All of the speakers were wonderful. Sarah was poised and funny and didn't seem at all phased by the reporters and camera crews climbing over each other trying to see her. She showed her new line of children's books, and concluded by saying, "I'm Sarah Ferguson, I'm a children's book author and a mom, and I'm proud of it." (I may have the exact wording of the quote wrong, but this is in essence what she said. I apologize for any errors on my part).

Cory Doctorow, author of Little Brother and his newest book, For the Win, talked about how much he loves connecting with teens. He called adolescents nature's daredevils, and said that it's a time of taking risks without the experience to necessarily understand the consequences. He talked about the exhilaration of doing things for the first time.

Through the medium of stories about her life, Mitali Perkins talked about books as windows and mirrors. Books can give us a window into another culture or another way of life, or they can be a mirror in which we can see ourselves. Growing up all the books she read had white characters, and yet she connected with those characters in many ways, so the books were mirrors. In the same way, she thinks of her books as mirrors for Asian-American children, and windows for many white American children, as a look at another culture. Yet many white children also find mirrors in her books and connect with them in unexpected ways.

Richard Peck talked about how he had to quit teaching in order to be able to communicate with children. He was quite funny talking about the changes in the teaching profession as a result in the changes of society's attitudes towards children, remarking that the Latin teachers were kicked out and chased out of town by angry mobs, and then after the Latin teachers were gone there was so little English left to teach that the name had to be changed to "Language Arts." He talked about the importance of the book The Chocolate War by Robert Cormier, and its influence on Peck's new book, Three Quarters Dead.

After the Author Breakfast, I spent most of the rest of the day bouncing between meetings with various publishers to talk about the Cybils, and standing in autographing lines. I did meet and talk to some interesting people while standing in the lines. Rick Riordan is a champion autographer; his line moved quickly as he chewed through the crowd. Matthew Reinhart apparently signs more slowly, as his line crawled along, but to be fair, his book was a lot more awkward to handle, so that could account for the difference. I was also thrilled to get a copy of Cory Doctorow's For the Win, which I'm looking forward to reading.


Tuesday, May 25, 2010

Book Review: The Turning

The Turning Book 1: What Curiosity Kills
by Helen Ellis

Mary Richards lives in New York's Upper East Side with her strict but loving adoptive parents and her adoptive sister, Octavia. After a childhood marred by neglect from her biological parents, Mary knows how lucky she is to have loving parents, even if they are luddites that restrict the girls' access to cell phones and computers. Mary and Octavia attend the exclusive Purser-Lilley Academy, where their only problems are not unusual: fitting in, schoolwork, and boys.

Then Mary has an encounter with a strange cat, an encounter that leaves her with...fur? Yes, fur: an orange patch of it on her leg, that she tries to keep hidden under her socks. More strange things keep happening, and finally Mary learns the truth: she is Turning, Teen Wolf style, into a cat, and that she is one of a rare group of teens that can do so. Being a cat is exhilarating, but the Turning itself is painful, and Mary finds herself caught in the middle of a brutal war, and between two very different boys.

The Turning was different than I expected. I had thought that it would be a lot about what it was like for a teen girl to experience the life of a cat, but while there are some passages from the point of view of Mary as a cat, they are few and don't give a strong picture of what it might be like to be a cat. That's not a bad thing, but it just means that the audience for this book is different than I had thought it would be. I interact a lot with fans of animal fiction, and I thought it might be a book that would appeal to them, but after reading it, I wouldn't put it in that niche.

I enjoyed the book quite a bit, however. This is a compelling and immersive book that keeps you turning the pages. It has interesting characters that have a lot of teen appeal, and the story moves along quickly and keeps you involved.

For the most part, What Curiosity Kills does pretty well in the diversity department. New York looks like New York should: with a diverse array of characters of all ethnicities and backgrounds. Mary's adoptive sister Octavia is African-American and one of the most interesting characters. Octavia is the captain of the debate team, assertive and smart, and not afraid to show it. Asian characters probably fare the worst; the mean girl is Chinese, and the "bad boy" who tries to tempt Mary into joining the "other" group of cats is Korean-American.

One thing that bothered me was the climax, which seemed contrived to me. I can't say too much without giving away spoilers, but the situation seemed to be artificially set up to create a moral dilemma. It seemed to me that there would have been other options that Mary could have used; those options might still have been morally ambiguous, but at least wouldn't have had the same implications. The climax, for me, marred what was otherwise an enjoyable book.

What Curiosity Kills is the first book in a series, and it will be interesting to see where Helen Ellis goes with this series.

FTC required disclosure: Review copy provided by the publisher to enable me to write this review. The Amazon.com links above are Amazon Associate links, and I earn a very small percentage of any sales made through the links. Neither of these things influenced my review.